It is the first national-level tourist resort in the country. The lake has a cross-lake bridge culture for over years, over years of cross-lake culture, over years of water culture. This is Xiaoshan historical context, here excavated cross-lake bridge cultural site, unearthed the world's earliest canoe, has been more than years of history; The Yuewang castle site at the foot of the mountain of Wuhu Lake is an important military castle for the resistance of Yuewang Goujian soldiers to Wu in the late Spring and Autumn Period, and the hometown of He Zhizhang, a great poet of Tang Dynasty, is the fairyland of the southern part of the Yangtze River. Zhejiang Xianghu Tourist Resort is the first national tourist resort. The resort is located in the west of Xiaoshan District, Hangzhou, about 20 kilometers from Hangzhou city center, across the Qiantang River and West Lake scenic area. How many people have come to Hangzhou, only experienced a West Lake people, but not its "sister lake" Lake, this is the birthplace of Zhejiang civilization, from the culture and life from here, the river flowing in all directions, and the West Lake across the Qiantang River, Like a sister of middle-aged and mature sister, looking kindly at the present great rivers and mountains.
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Introduction
Commenting on Xiang Jing's works from more than a decade ago, poet and curator Zhu Zhu says the sculptures show a quiet little girl's vision of things. Since the late s, Xiang, 48, has been known for her life-size sculptures of girls and women of different ages. Her husband, Qu Guangci, is an equally famous sculptor. She says she uses a woman's body in the different phases of her life to address not only identity issues but also shared perplexities. Five years after her last exhibition at Beijing's Today Art Museum, Xiang is making a comeback with a large-scale show reviewing her works since , as well as her latest series, S, at the Minsheng Art Museum in the capital. I can't live without thinking," she says, adding even if it means being constantly anxious. The show has her iconic sculptures of young women, in some of which she portrays the mental state of a teenager or young adult who resists growing up. Between and , her works were about older women, who, after being engaged with society, were seeking to balance their desires and reality. The Beijing-born artist highlights a female perspective on human nature and the world.
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Her representations of nude women convey the reality of the female form in all its imperfection while highlighting its philosophical nature. Xiang Jing: If you want me to look at it in terms of gender — to divide people into male and female artists — I am not used to seeing things this way and my reaction time would be pretty slow. First of all, I did not pay attention to this group of so-called female artists. I did take part in exhibitions organised by people like Jia Fangzhou, which featured only female artists, but I really did not pay much attention when China began to have female artists. In China, the concept of feminism was imported from the West.
In this exhibition both Teller and Xiang explore the idea of desire, yet from opposing perspectives. Both artists will be present for an opening reception at the gallery on Thursday, May 21 from PM. He uniformly captures all his subjects, from landscapes to his family to supermodels, with an unapologetically gritty style.
